Matrix, Runout: REGENCY MEDIA 103577.
The Lady Killer is the third studio album by American singer CeeLo Green. It was released November 5, 2010, by Elektra Records. Production for the album was handled by Salaam Remi, Element, The Smeezingtons, Fraser T Smith, Paul Epworth, and Jack Splash. The album debuted at number nine on the US Billboard 200 chart, selling 41,000 copies in its first week. It achieved respectable chart success elsewhere and produced three singles, including the international hit "Fuck You".
Breakthrough (The Gaslamp Killer album). Breakthrough is the first studio album by American alternative-hip hop producer The Gaslamp Killer. It was released on Brainfeeder on September 17, 2012. The album features guest appearances from Gonjasufi, Daedelus, and Samiyam, among others.
See who else is listening to Duckjuggler and discuss the latest tracks, news, and features with fans at Last. Connect to this site.
Dip huet seung hung (original title). R 1h 51min Action, Crime, Drama September 1990 (USA). the history of cinema and nearly brought me too tears(ah jong's eyes explode after being shot several times). a film with a true meaning this story is of ethics honour and redemption and thats what makes it a classic.
In a strange way, that's The Killer's magician's trick: if someone asked you what Shed sounded like, it'd be hard to find something more exemplary than this album. The Killer is challenging in a different way because it presents a restless and mercurial artist whose own prolificacy has somehow left him steeped in precedent. For that reason, it's hard to greet The Killer with the kind of dumbfounded praise that accompanied the first two albums. Thankfully for Pawlowitz, he's got such an iron grip on his own sound and execution that even a rote exercise transcends most other dance music.
Throughout his many identities and alter-egos, his numerous releases for various labels and affiliations, the chief constant for Rene Pawlowitz has always been his communication with that now infamous cross-country conduit: the much-heralded and discussed-at length axis of London at one end with Berlin at the other. For The Killer is many things; at times it's a bruising assault of the kind of techno designed to strip the paint off already decaying walls, and at others it's somewhat more reclusive, a fragile thing that seems to shiver in the cold light of day. Contrast might very well be key here, but the listening experience is somewhat akin to alternating between a hot and cold shower.
