Discover all The Alan Lorber Orchestra's music connections, watch videos, listen to music, discuss and download. Hang on to a Dream (1967). is a cover of. How Can We Hang on to a Dream by Tim Hardin (1966). The Flute Thing (1967). Flute Thing by The Blues Project (1966). Up, Up and Away (1967). Up, Up and Away by The 5th Dimension (1967).
Alan Lorber Orchestra - Echoes Vol 2. Alan lorber orchestra. The Latin Jazz Quintet. Singin' & Swingin': The Best Of Earl Grant.
Tales of Mystery and Imagination (Edgar Allan Poe) is the debut studio album by English rock band The Alan Parsons Project. It was released on 1 May 1976 in the United States by 20th Century Fox Records and on 1 June 1976 in the United Kingdom by Charisma Records. The lyrical and musical themes of the album, which are retellings of horror stories and poetry by Edgar Allan Poe, attracted a cult audience.
How can we hang on to a dream How can it ever be the way it seems. What can I do, she's saying we're through With how it was What will I try, I still don't see why She says what she does. How can we hang on to a dream How can it ever be the way it seems. What can I say, she's walking away From what we've seen What can I do, still loving you It's all a dream. How can we hang on to a dream How can it ever be the way it seems How can we hang on to a dream
One of the bands Lorber picked up was Ultimate Spinach (others were Beacon Street Union and Orpheus). The band's 'Bosstown Sound', as on their 1968 debut album, was the typical psychedelic sound we could hear on the (1967) releases of The Doors, Jefferson Airplane and Country Joe and the Fish. Doing an instrumental cover of Tim Hardin's 'Hang on To A Dream' is seemingly a terrible idea, but it's surprisingly the stand out of this set for me. A beautiful arrangement of one of the all time greats. Lucky for him, he did not have to go far since BSU was performing at Steve Paul's The Scene in New York City.
Singer, The London Starlight Orchestra - How Can We Hang on to a Dream. Ivo Žídek, Marcela Lemariová, Karel Berman, Antonín Votava, Prague National Theatre Orchestra, Jaroslav Krombholc - Julietta (The Key to Dreams),. Act III, Scene 3 - 4: "Excuse Me, Sir! Is This the Dream Office? - Your Real Life Is Only to Begin - Oh, It Was Marvellous!" (Michel, Poslíček, Žebrák, Úředník). On The Town" Orchestra, Leonard Bernstein - On the Town: Balletmusik, Ballet Music: Dream in the Subway. Orchestra Nova - The Widow of Ephesus: Chamber Opera in One Act: 'I Like to Lie in the Sun and Dream the Shadows away' (Soldier and Maid). On The Town" Orchestra, Leonard Bernstein - On the Town: Balletmusik, Ballet Music: Dream Sequence - Conclusion. Asia Philharmonic Orchestra - The One In My Dream.
We put up some handbills outside CBGB and on random lampposts in the East Village. We signed with Rough Trade Records. The debut album from Captured Tracks stalwarts DIIV didn’t intentionally set out to channel dream pop. Yes, they were fans of Ride, but frontman Zachary Cole Smith cited this particular album’s inspirations as krautrock and Malian music. these tools are precisely what set them apart on their third album, Clinging to a Scheme. With their mix of sunny guitar jangle and melancholic sentiment, the Swedish trio could easily be slotted as indie pop.
