Dave Douglas - The Infinite album mp3

Trumpeter Dave Douglas is in a Miles Davis mood on The Infinite, the first album by his New Quintet. And Douglas seems to have settled on a particularly appropriate phase of Davis' recorded legacy for inspiration: the era marked by a departure from post-bop and entrance into fusion, circa 1968 and 1969. In particular, The Infinite recalls 1968's Miles in the Sky and Filles de Kilimanjaro, which introduced electric keyboards into the sound of Davis' second classic quintet.

Leap of Faith is the 15th album by trumpeter Dave Douglas. It was released on the Arabesque label in 2000 and features performances by Douglas, Chris Potter, James Genus, and Ben Perowsky. This collaboration is among his better team efforts.

Those with tastes tending toward post-bop and pre-fusion jazz should find much to like here, with the album perhaps serving as an entry point to the trumpeter's more chance-taking endeavors".

Producer, Trumpet – Dave Douglas. Tenor Saxophone, Bass Clarinet – Chris Potter (2). Written-By – Dave Douglas (tracks: 2, 3, 5, 6, 8, 9). Notes. Recorded direct to 2-channel DSD, December 16-18, 2001, at Avatar Studios, New York. The Infinite ‎(CD, Album).

Listen free to Dave Douglas – The Infinite (Poses, The Infinite and more). Track listing: Poses, The Infinite, Penelope, Crazy Games, Waverly, Yorke, Unison, Deluge, Argo Personnel: Dave Douglas (trumpet), Chris Potter (tenor sax & bass clarinet), Uri Caine (Fender Rhodes), James Genus (bass), Clarence Penn (drums) Recorded December 16–18, 2001 at New York. Discover more music, concerts, videos, and pictures with the largest catalogue online at Last. Personnel: Dave Douglas (trumpet), Chris Potter (tenor sax & bass clarinet), Uri Caine (Fender Rhodes), James Genus (bass), Clarence Penn (drums). Recorded December 16–18, 2001 at New York.

Dave Douglas: The Infinite by David Adler, published on March 1, 2002. The Infinite is one of Dave Douglas's more "mainstream" dates, in that it features standard quintet for Uri Caine's sparkling, superbly played Fender Rhodes. Paradoxically, though, this is also a record that finds Douglas loudly declaring his love for some current pop music. It opens with a tender reading of Rufus Wainwright's "Poses" and goes on to cover songs by Mary J. Blige ("Crazy Games") and Bjork ("Unison").

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