» » Giusto Pio - Motore Immobile

Giusto Pio - Motore Immobile album mp3

Tracklist Hide Credits

A Motore Immobile
Organ – Danilo Lorenzini, Michele FedrigottiViolin – Giusto PioVoice – Martin Kleist
B Ananta
Organ – Danilo LorenziniPiano – Michele Fedrigotti

Companies, etc.

  • Recorded At – Sciascia Sound Studios
  • Licensed From – Sony Music Entertainment Italy S.p.A.


  • Art Direction – Gianni Sassi
  • Coordinator – Paolo Scarnecchia
  • Liner Notes – Gianluca Magi
  • Music By – Giusto Pio
  • Photography By – Beppe Buccafusca
  • Producer – Franco Battiato


Limited Edition Reissue of 1979's LP Giusto Pio - Motore Immobile
400 copies in black vinyl.
100 copies in transparent vinyl (this listing)
Original liner notes. Photographic inner sleeve.

Barcode and Other Identifiers

  • Barcode: 8055323520607

Other versions

Category Artist Title (Format) Label Category Country Year
5207 304 Giusto Pio Motore Immobile ‎(LP) Cramps Records 5207 304 Italy 1979
SV 01 Giusto Pio Motore Immobile ‎(LP, Ltd, RE) Soave SV 01 Italy 2017
0154552CRA Giusto Pio Motore Immobile ‎(CD, Album, RE, RM, Dig) Cramps Records, Edel 0154552CRA Italy 2004
CRSCD 039 Giusto Pio Motore Immobile ‎(CD, Album, RE) Cramps Records CRSCD 039 Italy 1996

Giusto Pio - Motore Immobile album mp3
Performer: Giusto Pio
Genre: Electronic / Classical
Title: Motore Immobile
Country: Italy
Released: 2017
Style: Contemporary, Post-Modern, Drone, Minimal, Ambient
MP3 version ZIP size: 1450 mb
FLAC version RAR size: 1676 mb
Rating: 4.7
Votes: 634

Tyler Is Not Here
'It’s hard to put a finger one just what distinguishes Italian minimalism from its American counterparts, but to my ears, it ultimately boils down to lineage. While Americans trace back to the rugged and mischievous works of La Monte Young and Tony Conrad, the Italians go back to the compositions of Giacinto Scelsi, whose microtonal sound edges toward the mystic. As a result, Italian minimalism tends to be more crystalline and ascetic (read: pure) than what can be found elsewhere. It’s telling that Pio grounds both of these extended compositions not in his violin work, but in the tones of the church organ. It’s a sound that still resonates during services throughout the duomos of Italy, and one on Pio’s Motore Immobile that too evokes a sense of the divine'. (Pitchfork review)