Women is the eponymous debut album by Calgary band Women, recorded by fellow Calgary-native Chad VanGaalen. It was released in 2008 on VanGaalen's Flemish Eye record label in Canada, and on Jagjaguwar in the US. The song "Sag Harbor Bridge" is a direct reference to the suicide of the artist Ray Johnson, like "Locust Valley" and "Venice Lockjaw" on Women's second album of 2010, Public Strain.
Women by Women, released 07 October 2008 1. Cameras 2. Lawncare 3. Woodbine 4. Black Rice 5. Sag Harbor Bridge 6. Group Transport Hall 7. Shaking Hand 8. Upstairs 9. January 8th 10. Flashlights The debut album by Women was recorded over 4 months on ghetto blasters and old tape machines in Chad VanGaalen's basement, an outdoor culvert and a crawl space.
White Women is the fourth studio album by Canadian electro-funk duo Chromeo, released on May 12, 2014 by Last Gang Records. The album features contributions from Vampire Weekend's Ezra Koenig, Toro y Moi, Solange Knowles, LCD Soundsystem's Pat Mahoney, and Fool's Gold duo Oliver. White Women entered the Canadian Albums Chart at number six with first-week sales of 3,500 copies.
The Canadian quartet Women have a bit of a split personality. On the one hand they write angularly catchy indie rock songs that owe much to Pavement and Eric's Trip among others, on the other they indulge in the kind of overloaded guitar noise that bands like Sonic Youth built a career on. Their debut self-titled album sounds like it was recorded (by Sub Pop recording artist Chad VanGaalen, who also adds instrumentation here and there) onto a cheap cassette found on a truck stop bathroom floor, and yet the melodic gifts the group possess are undeniable
is an album by The Dismemberment Plan. It was released on October 2, 1995, on DeSoto Records.
Women was recorded by Sub Pop artist Chad VanGaalen in his basement, at least partially on boom boxes. It's a brash, youthful ending for a band that spent most of the album avoiding such bludgeoning. Also strange is "Shaking Hand", jittery, Dischord-style precision-rock; at just under five minutes, it's the longest track on the album.
Madonna’s best album has her brightest pop along with her most cathartic confessions. Essential moment: The title song, when she gets down on her knees to feel the power in the midnight hour. Disco with a pedigree (girl-group Motown) and ambitions (art rock), Labelle zoomed dance rock into the future. Nightbirds was a concept album with a beat – a kaleidoscopic masterpiece of feminist striving. Essential moment: The hey-sister go-sister intro to "Lady Marmalade," featuring the ultimate disco cowbell.
