Fckn'Bstrds Live At Oude Danshavo Rotterdam.
sampled from the from FcKn BsTrDs album "KUT LUL" WoT4CD005 (non standard CD EXTRA!) Includes high qaulity sound track full length party film with with bonus track support acts and photo's that you will treasure till the end of time
On this page you can not listen to mp3 music free or download album or mp3 track to your PC, phone or tablet. All materials are provided for educational purposes. Released at: This album was released on the label Wot 4 Records (catalog number WOT4CD05). This album was released in 2003 year. Format of the release is.
It is nihilistic primal punk, it spits in the eye of professionalism and perfection. It is an insult to good taste. It celebrates the failures and defects and mistakes on which this world is built, and that made us into what we really are: TRASH.
FCKN BSTRDS, Rotterdam, Zuid-Holland.
from FCKN BSTRDS + Ed's Truck presents Lisseh + Prolonged Version + CW&TW by 4 Legs Good. Streaming + Download. Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app. Purchasable with gift card.
Artist: FCKN BSTRDS, Song: K Heb Godverdommme Een Jaar Moete Wachte, Duration: 0:43, File type: mp3. №2324776235. FCKN BSTRDS K Heb Godverdommme Een Jaar Moete Wachte. Duration: 0:43 File type: mp3. Play online Download. Download FCKN BSTRDS – K Heb Godverdommme Een Jaar Moete Wachte.
BtoB debuted with their first mini-album titled Born to Beat on April 3, 2012, by Cube Entertainment and Universal Music Group. The album successfully peaked at on Gaon Weekly Album Chart and Gaon Weekly Domestic Album Chart, on G-Music Taiwan East Asian Music Chart, on Gaon Monthly Album Chart, and on G-Music Taiwan Music Chart whereas the sales of the album have reached over 18,500 copies in South Korea.
FCKN BSTRDS are from the Netherlands and have been around since at least the late ’90s. They’ve put out a bunch of singles, cassettes and DVDs over the years, but the best way to experience the BSTRDS is through their live shows, which are as close to total anarchy as anything we’ve seen this side of Caroliner or Crash Worship. Dressed up like giant trash monsters, they generate a wall of feedback, noise and primal screams, then run around like lunatics, dry-humping objects, audience members and each other, tossing trash everywhere, and basically reducing the performance space unlucky to have.
