Although they have travelled very diverse paths and studied different musical traditions, they find their playing extremely compatible. They create improvisations and compositions that draw on the traditions of Macedonia and South India, their greatest musical influences.
Clarinet, Bass Clarinet – Linsey Pollak. Design – Patricia Mueller. Mixed By, Mastered By – Kim Cunio. Mridangam, Kanjira, Morchang – Tunji Beier. Photography By – Lisa Businovski. Photography By – Janine Witig.
Although they have travelled very diverse paths and studied different musical traditions, they find their playing extremely compatible. They create improvisations and compositions.
Frog Music by Linsey Pollak, released 15 February 2005 1. 12 Frogs 2. Frog Septet 3. Whistling 4. Kroombit 1 5. Green Thighs 6. It's True 7. Barking 8. Footprints 9. Marbles 10. 9 Green Bottles 11. Caerulea Rule Eh! 12. Marsh Dance 13. Spotty 14. Dainty 15. Yellow Belly 16. Krock 17. Laugh Frog Music This music has been inspired by the incredible wealth of music that we can hear around us in the natural world. Frogs in particular provide a huge variety of amazing sounds. The music on this cd has all been created using the calls of subtropical eastern Australian frogs . Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Purchasable with gift card.
Linsey Pollak and Tunji Beier do Dv.
A new take on a traditional Macedonian Dance tune called Tropnalo oro by 'The Balkanics' (with Anthony Pizzica, Linsey Pollak, Philip Griffin, Ric Halstead and Tunji Beier, based in Maleny, Qld, Australia). A funky dance track in 7/8, played on saxes, electric bass, rezouki and drumkit.
Tunji Beier and Linsey Pollak offer a path to the same destination via music. To enter their sonic world is to dare to leave the known behind, and to step back in time to what it was like when you first heard music as a child. Bio. DVA - Linsey Pollak (winds) Tunji Beier (percussion). Tunji Beier ww. unji. Tunji’s success derives from the fact that he adjusted early to his father's nomadic life - constantly moving between Nigeria, New Guinea, Australia and Germany - and above all because he managed to absorb the contradictory influences of African and Indian music seamlessly into his own make-up as a musician. Undoubtedly it was his experience of Yoruba drumming as a small child that determined the entire direction of his future life.
