Gontiti - VSOD album mp3
Tracklist Hide Credits
| 1 | 行ってきますArranged By, Alto Saxophone, Tenor Saxophone – 清水靖晃*Baritone Saxophone – 鈴木広志*Double Bass – 鈴木正人*Drums – 山木秀夫*Trombone – 松本治*Trumpet – 菅坂雅彦* |
3:22 |
| 2 | Beautiful DaysChorus – 伊藤ゴロー* |
2:19 |
| 3 | 7season 4beatHarmonica – 松田幸一* |
3:50 |
| 4 | チムニーソング | 3:19 |
| 5 | Jam-ja-froArranged By, Drums – 屋敷豪太*Bass – 松永孝義*Percussion – Mataro*Piano, Organ – Dr. Kyon*Tenor Saxophone – 山本拓夫*Trombone – 村田陽一*Trumpet – 西村浩二* |
6:01 |
| 6 | 山の温泉旅館 | 4:18 |
| 7 | Prelude To Mica | 2:26 |
| 8 | Sound Of WindBass – 松原秀樹*Saxophone – 平原まこと* |
5:04 |
| 9 | パレードAccordion – Patrick NugierCello – 矢島 富雄*Mandolin – 西海孝*Percussion – 福和誠司*Viola – 鈴木民雄*Violin – 山中光* |
3:33 |
| 10 | Macaroni EasternFlugelhorn – 佐々木史郎*Flute – 井上信平*, Steve Sacks |
4:42 |
| 11 | Tampopo | 2:33 |
| 12 | Good Night City | 4:38 |
| 13 | Tampopo (Vocal Ver.)Vocals – Rachael Dadd |
2:57 |
| Bonus Track | ||
| 14 | Scarborough FairComposed By – Traditional |
1:51 |
| 15 | 課外授業Composed By – ゴンザレス三上*Recorded By, Mixed By – 松田龍太* |
2:04 |
Companies, etc.
- Manufactured By – Epic Records Japan Inc.
- Phonographic Copyright (p) – Epic Records
- Copyright (c) – Epic Records
- Recorded At – In The Garden Studio
- Recorded At – Landmark Studio
- Mastered At – Sterling Sound
Credits
- Arranged By, Programmed By, Piano – 菅谷昌弘* (tracks: 2, 3, 6), 中島ノブユキ* (tracks: 9, 10), 羽毛田丈史* (tracks: 8, 12)
- Bassoon – 岡本正之* (tracks: 2, 6)
- Clarinet – 黒川紗恵子* (tracks: 3, 6)
- Co-producer – 佐脇章太*
- Composed By, Producer – Gontiti
- Double Bass – 一本茂樹* (tracks: 2, 3)
- Drums, Surdo – 楠均* (tracks: 3, 8, 12)
- Guitar, Arranged By, Programmed By, Ukulele, Banjo, Guitarrón, Art Direction – ゴンザレス三上*
- Guitar, Ukulele – チチ松村*
- Harp – 吉野友加* (tracks: 4, 6)
- Lap Steel Guitar – 田村玄一* (tracks: 1, 6)
- Mastered By – Greg Calbi
- Percussion, Marimba – 藤井珠緒* (tracks: 2, 4)
- Recorded By, Mixed By – 中林慶一*
- Strings – 桑野聖ストリングス* (tracks: 2, 3, 12)
Notes
from sleeveA Word about Gontiti
I have had the privilege of mastering of Gontiti's projects over the past twenty years,
and I'll tell you why I feel it is privilege. Any casual listening to a Gontiti album will
reveal something quite obvious: the music they create is beautiful, absolutely beautiful,
an element missing in most modern music. The ears experience a physical pleasure
by taking in the sounds they create. Recording like this is no easy task, it is only
achieved by dedicating oneself to perfection at every stage: performing, arranging,
recording, and mastering. The fact that Gonzalez and Titi include me in their very talented
teams makes working with them music a tremendous honor and privilege. I wish them
continued success in making a sometimes unbearably ugly world a more beautiful place
to live and dream.
Greg Calbi
